…ssian , Reading Verbal and Visual Instances of Michelangelo through Lacan, www.brickhaus.com/amoore/magazine/michelangelonotes.html 6.Jean François Chevrier-James Lingwood, Another Objectivity, Paris-Prato 1989, Idea Books, Srl. Milano, 1989. 7. Susan Sonntag, Fotoğraf Üzerine (çev. Reha Akçakaya) Altıkırkbeş Yayınları, 1993, s.180 v.d. 8. Sigmund Freud, Sanat ve Edebiyat, (çev. E.Kapkın-A.T.Kapkın), Payel, 1999 s. 321 v.d. 9. Vilem Flusser interv…
x
Gürcistan’da ‘estetik direniş’
…Moskova bağları gücünü yitirmemişti; Moskova Ulusal Çağdaş Sanat Merkezi (www.ncca.ru) Ünlü Prigov Ailesi grubu’nun yapıtlarını sergiledi. İliko Zautashvili, Valery Kocharov (aynı zamanda Rock yıldızı) Oleg Timchenko, Ira Kurmaeva, Rusiko Oat gibi sanatçılar ve onların yetiştirdiği gençler bu fuar sergisin iki yıl daha sürdürebildiler. Uluslararası koleksiyoncuların uğramadığı bir fuar yaşayamazdı… Yeşim Ağaoğlu gidecek Şimdilerde Tiflis sanat or…
0
COLLECTING THE IMAGES OF THE SENSIBLE CONTEMPORARY ART WORKS FROM TURKEY’S COLLECTORS
…me a major part in global economy, due to the related development of world communication, computer and electronic technology systems. The distribution of electronic images and sounds provide a worldwide audience and the development of an image and sound technology which is applicable to practically every industry has become an arts-related products. Consequently, all nations are re-adjusting or will re-forming their culture industries and policies…
0
“THE ABSENT PRESENCE”, HUSSEIN CHALAYAN, PAVILION of TURKEY, 51st VENICE BIENNALE
…iles&club with the collaboration of Istanbul Bilgi University and Istanbul Foundation for Culture and Arts. The project curated and comission by Beral Madra and coordinated and produced by Murat Pilevneli (Galerist / Istanbul). Exclusively produced for Venice Biennale, ‘The Absent Presence’, is an enigmatic story based on identity, geography, genetics, biology and anthropology. Chalayan opens the argument on how certain identities can or cannot ad…
0
Reviews on 6th and 7th ISTANBUL BIENNALE (1999;2001)
…ecinct of Topkapi Palace. Though, a number of artists and guests could not come-or did not come-to Istanbul, possibly in view of the fact that Turkey is one of the danger territories within the new conditions-the ground was full of prominent international and local personalities. It attracted my attention that there were many contemporary art experts from the Balkan countries, Israel and Greece, even though artists of these territories were not pr…
0
2008-Faenza, Contemporary Art Forum, Italy
…eu Fabra / Generalitat de Catalunya).* Art incorporated: Looking Ahead The commercial dimension of art has an increasingly complex role to play which is not confined to mediation between artist and collector; rather it is consolidating its position as a structured entity with ambitious plans that almost compete with those of the cultural institutions and large-scale exhibitions. Speakers: Marko Stamenkovic (curator), Beral Madra (curator), Viktor…
0
“WHOLE”, CONTINENTAL BREAKFAST CONFERENCE and EXHIBITION, LJUBLJANA
…on of Living Sculptures, November 2005, CB partner the Tallinn Kunsthalle, www.kunstihoone.ee), Maribor (Continental Breakfast Maribor – Places of transition, December 2005, CB partner the Umetnostna Galerija Maribor, www.umetnostnagalerija.si) and Trieste (Continental Breakfast Friuli Venezia Giulia – Etty Abergel, Miroslaw Balka, Alfredo Pirri, December 2005, CB project leader Trieste Contemporanea, www.tscont.ts.it). ***************************…
0
“THE NEW ORDER OF THINGS” SINOPALE 2
…ug trafficking etc… BERAL MADRA * Allan Megill, Aşırılığın Peygamberleri (Prophets of Extremity), Çev.Tuncay Birkan, Bilim ve Sanat Yayınları (1998), s.292-299 **http://www.bsec-organization.org/main.aspx?ID=Chairmanship ***http://www.blackseaforum.org/joint_declaration.html …
1
KALLIOPI LEMOS, “I AM I BETWEEN WORLDS AND BETWEEN SHADOWS”, IOAKIMION SCHOOL, FENER, ISTANBUL
…ries behind these paragraphs and numbers are not even a historical fact or common memory of the communities of these victims. * Inspired from: Michel Foucault, “Preface to Transgression”, Language, Counter-Memory, Practice, Selected essays and Interviews, ed. By Donald F. Bouchard, Cornell Paperbacks, 1980, p.34 1.Karin Andersen and Luca Bochicchio the presence of animals in contemporary art as a sign of cultural change, forma. revista d’humanitat…
0
Soul for Europe Forum, Guimares, Portugal, August, 2009
…in the university, as well as in other commerce and service sectors (great commercial surfaces and small companies), and in cultural equipment, have reinforced the competitiveness and attractiveness of both the municipality and the region, diversifying lifestyles and cultural practices. In regards to the transforming industry, the good news has to do with the appearing of companies featuring high technological incorporation, in different sectors o…